Milanese - Billy Electron (Venger Remix) - LYRICS

huh-huh-huh-huh-huh-huh…
yeaah-yeeah-yeaah-yeeah…

come on - come on - come on - come on…

yeah-yeah-yeah-yeah…

imm nash
hahahaha
really-man faaaaaar
fye-yah
wiv night-ah
jopman jossila
yeeeah
wrap them down
woul-bakh
miyaloimikkila bushurduff woosh!
wiya bab mannaaaah
wyahwaah ziffi
roh bagolon

yeaah-yeeah-yeaah-yeeah…

(eesh-eesh-eesh-eesh…)

send him in stone
roar commoh
ivunu waa
you really ook
zeevul zwah
aaaaaaaa-you
laaaaad what you know?
yeeeah

y'ar soolawide
rrrrado-eenawak
ree hee hee
cool man, ree hee!
are you the bag why
ilwiliwuwawaddeh
il vidda
wond wond wond wond

come on - come on - come on - come on…

huh-huh-huh-huh-huh-huh…
yeaah-yeeah-yeaah-yeeah…

some thoughts

1. More interaction. Jay mentioned that we were like three soloists, all working inside our own virtuosic sonic silo. He said that was part of what made us great, and I think instinctively I agree with him. But there is scope for stripping back and unifying things a little bit. (Remember how bass and guitar interacted in Seventh?)

2. Maximum one laptop. (No laptops?)

3. “Backing tracks = unacceptable” ...should we revisit this notion? There is a difference between us being in control over everything and stuff happening without us “triggering” it in some way, but is this ever really noticed by anyone else? If you press ‘play’ ever, you’re already doing something which sounds like a backing track. Does this psychological control-freakery contain and constrain us? (Not saying I know the answer to this)

4. Live drums???????